Stéphane Ogé is Head of Quality & CSR Performance at Lacoste Operations. His responsibility is to ensure the supply chain is able to deliver the highest quality and most eco-responsible products possible. Before that, he led Lacoste global recycling and circularity strategy for 3 years, working on eco-design strategies with product teams. He is also PhD in industrial ecology and led consulting activities to make heavy industries more circular.”

Jeanne is a design practitioner who investigates creative innovation that interfaces design and technology. Her research focuses on intelligent textile design for fashion, interiors, rehabilitation, and Design-Led STEM processes. Jeanne’s research in intelligent textiles had been patented and commercially licensed for real-world applications. Her work had been showcased at Milan Fashion Week, the Victoria & Albert Museum, and collected as part of the permanent collection of the National Museum of Silk, China. Jeanne’s work had received international coverage including Vogue, WGSN, Harper’s Bazaar and the Public Broadcasting Service (USA). Jeanne is often invited to speak internationally at events such as TedX, ArcInTex, E-Textiles. Recent awards include iF International Design 2023 and Red Dot 2023. Her university service activities had contributed to the securing of a large-scale HKD$ 207 million strategic grant from InnoHK Research Clusters and PolyU’s unprecedented HK RAE2020 results for UoA38 Creative Arts, Performing Arts & Design. As a design consultant, Jeanne works with companies and organizations to implement fashion, textile, and creative education solutions. Her consultancies include LVMH Group (Celine, Givenchy, Kenzo, Loewe, Marc Jacobs), Nike, Alibaba, Fashionary, Kiabi, CLP Power Hong Kong Limited, The Hong Kong SAR Government (EMSD) and The Hong Kong Red Cross.

香港中文大學工商管理碩士;

15年外企管理經驗，10年+服裝行業工作經驗；

曾任職於西門子、艾利丹尼森等公司高層，有豐富的服裝產業及管理經驗.

Dr. Roxana Barbieru has 20+ years of experience in global management in both commercial and technical
functions in various industries, including renewable biomaterials, textiles, and specialty chemicals.
She has been fortunate to work with diverse teams and businesses, honing her ability to drive business
growth through disruptive innovations and sustainability.
She is a truly global executive, having lived and worked in Europe, Singapore, as well as pursuing studies in
the US.
As of 1st June 2023, Roxana is the CEO of TreeToTextile AB, a sustainable cellulosic fibers company for
textile and nonwoven markets, aiming at making a climate impact at scale. TreeToTextile AB is owned by
IKEA, H&M, Stora Enso and LSCS Invest.
Prior to her CEO role, Roxana has been with Stora Enso and DyStar Group in different leadership roles with
a focus on commercialization of new biomaterials and sustainable products, as well as scaling up new
ventures. Roxana has also served as board member and chairperson of TreeToTextile AB.
Roxana holds a Ph.D. in chemistry from Technical University of Braunschweig, Germany and an MBA from
University of California Los Angeles, Anderson School of Management, USA, and National University of
Singapore, Business School.

姚博士在紡織服裝創新領域擁有豐富的研究經驗。 她在可持續高性能紡織品、微塑膠管理, 和人工智能技術應用等研究課題中發揮著關鍵作用。

A graduate of the Malaysian Institute of Art in 1993, the designer Lee Khoon Hooi honed his skills from various fashion competitions and was recognized as a runner up for the Malaysian Young Designer Awards and second runner-up for the ASEAN Young Designer Award in 1996. The following year he seized the grand prize at the Asian Young Designer Award in Japan.

In 1999, he finally launched his own label, a move that took the Malaysian fashion scene by storm.Since then he has been honored for his work and effort by several fashion awards including the Harper’s Bazaar Malaysia Style Award, Mercedes Benz Stylo Fashion Forward Award, a prestigious International Recognition at Bangkok International Fashion Week and Elle Magazine’s 2017 Malaysian Designer of the Year / Red Carpet Designer of the Year awards.

About the Brand: Khoon Hooi

Khoon Hooi is a modern occasion wear label that serves new luxury to women across the globe Founded in 1999 by Malaysian designer Lee Khoon Hooi, the eponymous brand effortlessly melds technical craftsmanship with an artisanal approach Each piece is crafted with a strong play on silhouettes, prints and colours.

The brand has traded in Paris Fashion Week trade since 2010 and its designs have been worn by Hollywood celebrities at movie premieres and during important awards events such as Screen Actors Guild Awards, Golden Globe Awards and Vanity Fair’s Oscar Parties in Los Angeles.

www.khoonhooi.com

李傑中國服裝科創研究院總監；中國服裝數位轉型創新中心副秘書長：復旦大學文學學士，中國服裝數智化萬裡行高峰論壇總負責人，中國服裝業科技創新白皮書編委，中國服裝AIGC 公開課講師，參與安踏、李寧等服裝品牌企業服飾智慧製造及數位轉型升級計畫。

Roei Derhi, founder and creative director of PLACEBO, combines a traditional fashion background with a deep understanding of technology such as CGI, AI, Blockchain and XR Roei doesn’t wait for the future to come he is creating the future of fashion!

From a young age, Roei’s tech-oriented mindset led him to constantly seek innovative ways to simplify the process of creating clothes while prioritizing ethics and sustainability. In 2016, after graduating from Shankar College, H&M handpicked him to join their design team and relocated him to Stockholm. After working in the fast fashion field and getting experience with different garment groups and costumer Roei was Inspired by the potential of technology to create a more sustainable and inclusive approach.

Roei founded PLACEBO in 2019 with the belief that fashion today shifts its practicality and is used to create content and will be utilized in new ways. He decided to create a future where high-end fashion is accessible for content creation and self-expression.

With a focus on relevant issues of the 21st century, Roei’s aesthetic reflects his dedication to designing the future with respect to the past.

About the Brand: PLACEBO

PLACEBO is a high-end fashion tech house that values innovation and technology, PLACEBO defies and challenges traditional fashion norms and prides itself on creating signature pieces that suit every size, gender and age.

PLACEBO is for everyone!

The brand meets the customer physically and digitally by catering to digital fashion for social media, fashion for avatars and AR fashion By merging the realms of technology and fashion, PLACEBO creates a future where cutting edge advancements like XR, Blockchain, AI, and NFC seamlessly integrate with the brand.

At PLACEBO, inclusivity and sustainability are at the core of our brand ethos We believe that fashion should be for everyone, and our designs reflect this belief. With meticulous attention to detail, we craft both digital and physical pieces that celebrate the treasure of traditional fashion craftsmanship. From intricate stitching to exquisite metalwork and thoughtful washes, every design aspect is carefully considered

PLACEBO transcends traditional boundaries by embracing a genderless, sizeless and ageless approach to fashion Our commitment to building a more inclusive industry celebrates diversity and empowers individuals to express their unique identities through fashion.

We are Placebo!!

Gemma is a writer, curator and consultant focused on the China market. She writes for Vogue Business and is curating a Chinese illustration show with Paul Smith for Lunar New Year. Previous work includes reporting for the Business of Fashion and organising VOICES as well as running the luxury publication Jing Daily. Her book Fashion China (Thames & Hudson, 2015) was the first title to offer an overview of the phenomenon of Chinese fashion designers and she has curated exhibitions for the British Council, London College of Fashion and Design & Crafts Ireland – DCCI

Jim is a founder and Chief Science Officer. Jim has had a life-long passion for the environment, with a PhD in Ecology and Evolution. At the University of Cambridge, Jim’s background in building tools for molecular genome analysis led to early adoption of synthetic biology methods aimed at the construction of a biosensor as a sustainable method to assess arsenic contamination of drinking water in Nepal and Bangladesh.